Buy Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras

Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Special Offer




You can buy Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras today at the best price and it's limited time offer. Look at our special deals today on our store. Get more and spend less when you buy Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras. Also read our Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras reviews before you decide to buy Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras. Anything you have to know about this item, More about this





Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Reviews


Many customers was gave reviews and ratings to Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras. If you want to read those detail to make your decision on this product just CLICK HERE
Customer Rating:
Rating: 4.3
Price : Check Special Offer Today (Limited Time Offer)

Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras

Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Overview:


  • Sony / Minolta -compatible lens designed specifically for digital SLR's
  • 17-50mm focal range equivalent to 26-78mm in 35mm format
  • Maximum aperture of f2.8
  • Filter diameter of 67mm
  • Minimum focus distance of 0.27 meters over entire zoom range

Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Reviews, On Sale Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras, buy Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras, Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras best buy, Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Discount, Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras For Sale


Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras

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Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras Reviews


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Average Customer Review
238 Reviews
5 star:
 (144)
4 star:
 (53)
3 star:
 (21)
2 star:
 (14)
1 star:
 (6)
 
 
 

132 of 135 people found the following review helpful
5.0 out of 5 stars Talk about bang for your buck!, October 8, 2006
By 
Leetsauce (San Jose, California) - See all my reviews
Amazon Verified Purchase( What's this?)
This is the kind of lens that makes me wish Canon would understand their market better. Instead of putting out a 17-55mm zoom that everyone can afford, they put out a EF-S non pro lens at a pro price, which has serious quality control issues. Tamron, however, responded.

This lens is quite sharp. It could definately be used for professional purposes. Sharp at 2.8 and much sharper above. After using this lens, the 17-40mm L, as well as the new EF-S 17-55mm, I can honestly say that Tamron beat out Canon in their own game in terms of quality for the money. Great optics, great range, affordable, and a SIX YEAR warranty, as opposed to Canon's weak 1 year warranty. Buy me.
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218 of 231 people found the following review helpful
5.0 out of 5 stars Best wide angle zoom lens., July 19, 2006
By 
Linan Chen (Chicago, USA) - See all my reviews
(REAL NAME)   
I tested canon 28-105 3.5-4.5, sigma 24-70 2.8, canon 50mm 1.8, canon 18-55 3.5-5.6. I would say this Tamron 17-50 2.8 is my dream lens. I bought canon 28-105 3.5-4.5 for the focal range but was very sad about its softness and returned it. Then I went to sigma. That's a huge, heavy lens and very solid. Based on reviews, it should be very sharp. however, it was not true in my case. No matter how hard I tried, I never got sharp image. I guess I was not lucky enough to have a good copy and returned it in one week. Finally I bought Tamron 17-50mm 2.8. It surprised me from the very first picture. The sharpness is as good as canon 50mm 1.8 prime, the benchmark. Contrast is very good and color too. 7 blade aperture makes very nice blur background. I care so much about sharpness so the lens is my taste. The focusing is very accurate and fast enough, even though not as fast as sigma. Now I never touch canon 18-55 kit lens, the difference is huge. It's true this lens has no IS. But for 17-50mm... Read more
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106 of 114 people found the following review helpful
3.0 out of 5 stars This len has lots of potential, but quality control is questionable, January 3, 2007
By 
orangejulio (Portland, OR USA) - See all my reviews
Amazon Verified Purchase( What's this?)
I felt like I was taking a gamble when I bought this lens, because I was not able to find many reviews of it. Given that the equivalent Nikon was almost 3x the price, I decided to take a chance. At this point I still can't give a solid thumbs up or down, so I opted to give it a 3. Here is a short history of my experience:

1) Bought lens from Amazon to use on my D50. It was a joy to have an f/2.8 zoom lens, but I was not totally convinced about the sharpness (which the few reviews I could find said was supposed to be really good). After comparing it to my other lenses and a rented Nikon 17-55 f/2.8 (great lens, but much bulkier and heavier), I determined that it front-focused so much that the subject would always be very slightly out of focus. It wasn't obvious right away, because the front-focusing meant that the background went out of focus really quickly, making for a great depth-of-field effect. The heavily out of focus background essentially made the subject... Read more
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